Last edited by Gataur
Monday, August 10, 2020 | History

2 edition of The making of memory in the Middle Ages found in the catalog.

The making of memory in the Middle Ages

The making of memory in the Middle Ages

  • 22 Want to read
  • 12 Currently reading

Published by Brill in Leiden, Boston .
Written in English

    Subjects:
  • Civilization, Medieval,
  • Middle Ages,
  • Memory -- Social aspects -- Europe -- History -- To 1500,
  • Collective memory -- Europe -- History -- To 1500,
  • Literature, Medieval -- History and criticism,
  • Narration (Rhetoric) -- History -- To 1500,
  • Europe -- Social conditions -- To 1492,
  • Europe -- Intellectual life,
  • Europe -- Social life and customs

  • Edition Notes

    Includes bibliographical references and index.

    Statementedited by Lucie Doležalová.
    SeriesLater medieval Europe -- v. 4
    ContributionsDoležalová, Lucie.
    Classifications
    LC ClassificationsCB353 .M33 2009
    The Physical Object
    Paginationp. cm.
    ID Numbers
    Open LibraryOL23643327M
    ISBN 109789004179257
    LC Control Number2009029440

    |a Revisiting memory in the Middle Ages (introduction) / Lucie Doležalová and Tamas Visi -- Communal memory of the distributed author: applicability of the connectionist model of memory to the study of traditional narratives / Slavica Rankovic. 0 |a pt. 1. Storing and recuperating knowledge -- The art of memory in practice -- Writing. Making of memory in the Middle Ages. Communal memory of the distributed author: applicability of the connectionist model of memory to the study of traditional narratives / Slavica Ranković. pt. 1. Memory, meditation, and preaching: a fifteenth-century memory machine in Central Europe.

    Before the invention of mechanical printing, books were handmade objects, treasured as works of art and as symbols of enduring knowledge. Indeed, in the Middle Ages, the book becomes an attribute of God. Every stage in the creation of a medieval book required intensive labor, sometimes involving the collaboration of entire workshops. European Middle Ages. Scrolls virtually ceased to be used for books and documents in Europe during the Middle Ages, and were reintroduced for rare use in official treaties and other international documents of great significance during and after the Baroque Era of the 0th century. These were usually written on high quality vellum, and stored in.

    Book production in the Middle Ages Master of the *Registrum Gregorii*: Pope Gregory in pontificals, c. The *Hours of Mary of Burgundy*: Mary in church, miniature, c. The book places a miracle in the middle of a swirl of other activity. Political connections, war, religion, including a canonization, are all examined with this unusual event at the center. It is an interesting snapshot of life in the middle ages, with the camera focused on a man who was hanged twice in the same day and lived to tell about it/5(16).


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The making of memory in the Middle Ages Download PDF EPUB FB2

Memory in the Middle Ages has received particular attention in recent decades; yet, the topic remains difficult to grasp and the research on it rather fragmented. This book gathers particular case studies on memory in different parts of medieval Europe and in a variety of fields including literatures, languages, manuscript studies, history, history of ideas, philosophy, social history Author: forthcoming.

The Making of Memory in the Middle Ages Series: Later Medieval Europe, Volume: 4. In his new book, The Making and Unmaking of a Saint: Hagiography and Memory in the Cult of Gerald of Aurillac, Mathew Kuefler describes the rise and fall of a Medieval Saint.

What on the surface may seem to be an exploration of a rather insignificant saint, is 5/5(1). The Making of Memory in the Middle Ages. Series: Later Medieval Europe, Volume: 4.

Editor: Lucie Doležalová. Memory in the Middle Ages has received particular attention in recent decades; yet; the topic remains difficult to grasp and the research on it rather fragmented. The Making of Memory in the Middle Ages.

Mary Carruthers's classic study of the training and uses of memory in European cultures during the Middle Ages has fundamentally changed the way scholars understand medieval culture.

This fully revised and updated second edition considers afresh all the material and conclusions of the by:   The Making of Memory in the Middle Ages Series: Later Medieval Europe, Volume: 4Cited by: 1.

The Making of the Middle Ages is a study of the period to Before Southern wrote this book inthe period has traditionally been called the High Middle Ages or the "Renaissance of the 12th Century". However Southern sees it as more than a Renaissance (usually thought of as a period of *re* discovery of classical texts and ideas), Cited by:   Memory, Meditation And Preaching: A Fifteenth-Century Memory Machine In Central Europe (The Text Nota Hanc Figuram Composuerunt Doctores / Pro Aliquali Intelligentia) The Staging Of Memory: Ars Memorativa And The Spectacle Of Imagination In Late Medieval Preaching In PolandCited by: 1.

The Making of a Medieval Book explores the materials and techniques used to create the lavishly illuminated manuscripts produced in the Middle Ages and the Renaissance. The images in these handwritten texts are called illuminations because of the radiant glow created by the gold, silver, and other colors.

The book may feel loose and swivel rather easily, and this can be tightened up (as it was in the later Middle Ages) by sewing on stout headbands along the top and bottom edge of the spine. The boards of medieval manuscripts were generally made of wood. Part of the Brill series on Later Medieval Europe, The Making of Memory in the Middle Ages taps into the formative theoretical work of influential memory scholars such as Janet Coleman, Mary Carruthers, and Patrick Geary.

The result is a rich survey of both the variety of research currently underway in the field, and of the wide range of uses to which the study of. Revisiting Memory In The Middle Ages (Introduction) Communal Memory Of The Distributed Author: Applicability Of The Connectionist Model Of Memory To The Study Of Traditional Narratives Writing The Memory Of The Virtues And Vices.

The art of memory was most importantly associated in the Middle Ages with composition, and those who practiced the craft used it to make new prayers, sermons, pictures, and music. The mixing of visual and verbal media was commonplace throughout medieval cultures: pictures contained visual puns, words were often verbal paintings, and both were used equally as.

The Making of the Middle Ages is a study of the period to Before Southern wrote this book inthe period has traditionally been called the High Middle Ages or the "Renaissance of the 12th Century"/5(23). The Making of Memory in the Middle Ages的话题 (全部 条) 什么是话题 无论是一部作品、一个人,还是一件事,都往往可以衍生出许多不同的话题。.

A distinguished Oxford historian presents an absorbing study of the main personalities and the influences that molded the history of Western Europe from the late tenth to the early thirteenth century, describing the chief forms of social, political, and religious organization.

"A book of rare value."--Sidney Painter, American Historical Review4/5(4). Richard Southern's The Making of the Middle Ages is a remarkably good book. I decided to read it after learning in Norman Cantor's Inventing the Middle Ages that Cantor considers it one of the two greatest books on medieval history written in 4/5.

The Medieval Craft of Memory book. Read 4 reviews from the world's largest community for readers. In antiquity and the Middle Ages, memory was a craft, a /5. This was the printing of the middle ages, because books were wrote on material that could be easily destroyed and the work must be copied.

Starting to Advance As time passed by and Europe was slowly coming out of it’s dark age. His publications include: "The Making of the Middle Ages" (), "Western Views of Islam in the Middle Ages" (), "Western Society and the Church in the Middle Ages" (), "Robert Grosseteste" (), and "St Anselm: a Portrait in a Landscape" ().4/5(3).THE BOOK OF MEMORY Mary Carruthers’s classic study of the training and uses of memory for a variety of purposes in European cultures during the Middle Ages has fundamentally changed the way scholars understand medieval culture.

This fully revised and updated second edition considers afresh all the material and conclusions of the first. While responding.Mary Carruthers's classic study of the training and uses of memory for a variety of purposes in European cultures during the Middle Ages has fundamentally changed the way scholars understand medieval culture.

This fully revised and updated second edition considers afresh all the material and conclusions of the first.

While responding to new directions in research 3/5(2).